Below is the text for the event program. Miriam has revised the excellent text that Maddy composed and then added some necessary details (title, time, date, acknowledgments, etc.)
-------------
Re:Happening
The Phillips Collection Café
In conjunction with This is not that café series
November 5, 2009
6:30-7:15pm
“Ideas are one thing and what happens is another.”
- John Cage
Organized and performed by students from the Phillips’s Center for the Study of Modern Art, Re:Happening is a recreation of the legendary Theater Piece No. 1, which was orginally staged at Black Mountain College in 1952. Generally considered to be the first “happening,” Theatre Piece No. 1 simultaneously brought together music, dance, poetry, painting, photography and film into a single, multi-focus event. Conceived by the American avant-garde composer, John Cage, the piece was arranged according to a simple “score” that alotted each performer a set duration of time in which to perform. Outside of the score and the arrangement of props, nothing was pre-prescribed. Arranged as theatre-in-the-round, the performance took place both in front and around the viewers with the intent of integrating audience and performance. Theatre Piece No. 1 included readings by John Cage, M. C. Richards, and Charles Olson, a display of four Robert Rauschenberg White Paintings and one Franz Klien painting, projections of movies and still pictures by Tim LaFarge and Nick Cernovich, music on a prepared piano by David Tudor, and dancing by Merce Cunningham. Rooted in chance as a legitimate method of composition, Cage’s Theatre Piece No. 1 freed its performers to decide and develop their individual roles within its strict compartments of time.
Re:Happening grew out of a seminar on the legacy of Black Mountain College on the American avant-garde. This influential college that was located in Ashville, NC, operating from 1933-1956, treated art as central to liberal arts education and was a hotbead for new ideas in American art.
Learn More:
www.bmcrehappening.blogspot.com
Acknowledgements:
Our sincerest gratitude goes to everyone who helped to bring this project to fruition, with special thanks to Vesela Sretenovic for her support and creativity; Megan Kuck for amiably helping with coordination; Mark Weiner for technical assistance; Alec MacKaye, Shelly Wischhusen, and Bill Kolberg for answering all of our off-the-wall questions about spatial and material concerns; On the Fly Café for generously sharing their space; and Prof. Hannah Higgins for her encouragement and thought-provoking dialogue.